TÜRK MÜZİĞİNDE “KOMALI SES” VAR MIDIR?

Authors : Adnan ATALAY

Pages : 13-35

View : 15 | Download : 7

Publication Date : 2015-08-25

Article Type : Research Paper

Abstract :There is a common view that Turkish Music has comma notes, even every issue like, Turkish Music can not be developed further more or not polyphonized is related with this \`\`comma notes\`\` because of being irrelative with equal temperament and the music notes we use 1, 4, 5, 8, 9, 12, 13 commadshaps and flats are not matching. However, if we do not look on the visionary side of this issue, historical and music physics correct our acknowledgement that there is no connection of comma notes neither the development of Turkish Music Northeun polyphonicity issue. Because there is no explanation of a \`\`comma voice\`\` issue, as has been settled as a prejudice. This article will analyze historically and music physically the being of voice systems, the intervals that has been named as comma and of its variations. It will also criticise if there is a solid explanation comma voices exist or not. Finally the article will seize this comma voices barrier the Turkish Music voice systems of the physical fundamental sand the polyphony or not.
Keywords : music, turkish music, comma