A GENERAL OVERVIEW OF PORTRAIT WORKS ON CERAMIC SURFACES

Authors : Can Gökçe, Emre Feyzoğlu

Pages : 763-784

Doi:10.7456/tojdac.1464181

View : 116 | Download : 87

Publication Date : 2024-07-01

Article Type : Other Papers

Abstract :Throughout history, the primary purpose of ceramic production has been to meet human needs. However, ceramics have also emerged as a means of expression, like developments in painting and sculpture. We frequently see portraits of important figures in ceramic works, just as we do in coins, paintings, and sculptures. While the evolution of portraiture has been conveyed throughout history, the perspectives of ceramic artists on portraiture have gained significant importance in recent times. Portraits have been used to capture an individual\'s inner journey, as well as to draw attention to political or war-related issues. Technological advancements have enabled technical and decorative innovations in the design process. Furthermore, artists\' unique production methods, facilitated by technology, have contributed to this diversity. In addition to printing techniques, scraping, and traditional methods, numerous unique production methods are being employed. The variety of techniques used is constantly expanding, incorporating computer-aided digital applications and traditional decoration methods. Photocopy transfer, mono print, sgraffito, serigraphy, and many other techniques are among those used in these productions. The use of portraits on ceramic surfaces allows for the integration of human expressions, with a focus on conveying emotions through the portraiture. This article serves as a reference document for the works of eleven contemporary Turkish ceramic artists who interpret portraiture, aiming to contribute to the generation of new ideas and perspectives. The artists\' works were analyzed through individual interviews or interpretations from their exhibition manifestos. .
Keywords : Seramik, Seramikte Portre, Portre, Seramikte Dekor, Çağdaş Sanat