- Dokuz Eylül Üniversitesi Sosyal Bilimler Enstitüsü Dergisi
- Volume:25 Issue:3
- AN ECOFEMINIST ANALYSIS OF MARY SHELLEY’S MATHILDA: THE FEMALE NARRATOR WRITING HER OWN TABOO FICTIO...
AN ECOFEMINIST ANALYSIS OF MARY SHELLEY’S MATHILDA: THE FEMALE NARRATOR WRITING HER OWN TABOO FICTION
Authors : Tuğba KARABULUT
Pages : 994-1007
Doi:10.16953/deusosbil.1260838
View : 33 | Download : 128
Publication Date : 2023-09-15
Article Type : Research Paper
Abstract :Re-reading Mary Wollstonecraft Shelley’s novelette, Mathilda, in the twenty-first century from an ecofeminist perspective sheds a new light on contemporary criticism, opening up multifaceted perspectives. There was a critical moment in British literary history when Elizabeth Nitchie transcribed Mathilda from the microfilm of the manuscript and published it in 1959, which unveiled this piece of revolutionary taboo fiction suppressed for over a century by the author’s male relatives, chiefly Shelley’s father, William Godwin. Written in 1819-1820, Mathilda is the only work completed during Shelley’s lifetime. It is an artfully crafted epistolary work depicting the traumatic confessions and suicidal tendencies of the protagonist, Mathilda, a woman who isolated herself from society by integrating herself with nature due to her father’s confession for his incestuous passion towards her. Regarded as an underrated work, Mathilda has often been interpreted from biographical and incest-related perspectives by literary critics, which relegates its literary merits although it is in accordance with feminist and ecological theories and feminine writing. This paper, avoiding biographical accounts and the author’s life experiences and with theories consistent with those of ecofeminism, intends to show how nature functions as an effective instrument for the female writer to fictionalize her taboo story. By blending ecofeminism with feminine writing, this paper also investigates the interplay between woman and nature, and navigates how a female character courageously relocates her taboo story on a textual level from a feminist perspective in a natural setting, challenging the male-dominant Romantic tradition of the nineteenth century.Keywords : Mary Shelley, Mathilda, Ekofeminizm, Tabu Kurmacası, Doğa, Kadın Yazını